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December 4, 2012
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The Giant Claw: The Enshohma Rendition by Enshohma The Giant Claw: The Enshohma Rendition by Enshohma
"The Giant Claw (1957) was once considered one of the worst films ever made. Especially back in the 1980's, thanks to unforgiving film critics like Michael Medved - author of successful book "The Golden Turkey Awards".

And than 1997 came around, when movies began not only dipping in quality, but also magnified in their quantity. Eventually leading to current state of "Bayformers" and the Syfy droppings of the week. Forced by said comparison, "The Giant Claw was moved up from cinematic shame, to cheeky camp with an ounce respect.

And than the people raised up against Michael Medved, abducting him from his Rolling Hills mansion, and imprisoning him within a huge wicker effigy of The Giant Claw herself. It was than set aflame, in order to appease our prehistoric buzzard goddess from deep space, with Michael serving as our unwilling blood sacrifice. And as the effigy burned away, we all sang the traditional folk song of Frank Zappa's "Cheepnis", while holding hands in a widen circle.

Oh what a wonderful night of summer murder that was!




All joking aside, it really does feel like we're living in a strange age, where 'classic bad movies' have lost their hated infamy. And evolving into entertaining classics in return.

True, there's way more horrible films like "Monster A-Go-Go" and Blood Freak" than there's endearing oddballs like "Plan 9 From Outer Space" and "Attack of the 50ft Woman". But what was once horrible blights onto cinematic history, have now become watch-able, even forgiven cheese.

This includes the Japanese Monster Movie genre, which was arguably treated far worse then the aforementioned American examples, which again, is largely thanks to people like Michael Medved. There's still seems to be strong remnants of hate-tinged mockery. But usually from the same sort of stupid jerks who honestly think that japan, and only Japan, could ever love these types of films. And also that South and North Korea are exactly one and the same.

And you all wonder why I hate humans, minus numerous exceptions like my DeviantART watchers.




And with ALL that said, "The Giant Claw" has become a very tolerable film (at least for me) in recent years.

It has a good concept and plot, and moves along at an decent pace. Plus, the film stars Jeff Morrow, who's one of those kind of actors that's good in almost everything he's in. Even if said films are beneath his A-game performances, as was the case with "The Giant Claw". Along with co-star Mara Corday, who's also very easy on the eyes.

But than we have our title character...oh boy, do we have our title character...!

The Giant Claw (AKA La Carcagne) is not at all a bad monster. She's only bad in execution. To be fair though, that laughable marionette is still preferred over modern examples of sub-par monster effects, done with crap CGI. Again, these older monster movies are aging with grace, when compared to their more recent contemporaries.

But as an artist and designer of my own Kaiju creations, I couldn't help but try my own hand at the ugly space buzzard. While at the same time, not wanting to do a total 'reimagining', and still honor the original design, and making it resemble the original at that.




The only major change I gladly committed however, was The Giant Claw's coloring. All official poster and lobby card art from the 1957 film features a Turkey-style color scheme, adding to the poor girl's already lousy reputation. And a lot of other artist, unaware of this previous fact, color her with the blacks and reddish-pinks of real life vultures.

I figured that since The Giant Claw is a space fairing extraterrestrial, whose evolutionary lineage started here on prehistoric Earth (long story), she'd have a plumage of violets and purples.

Perfect for reflecting the excess radiation of deep space, and somewhat similar to the bright colored, shiny hides of certain tropical insects. And despite being a combo of purples and violets, my Giant Claw still has near perfect camouflage for space traveling. Which she probably used in order to sneak up upon (and devour) some poor Space Whales and Star Squids while on her journey towards Earth.




And lastly, unlike the original film's ungainly puppet, my Giant Claw is made to look like she could be created through an elaborate man-in-a-suit effect. The bulky neck would be a major difficulty however, despite me taking direct inspiration from the monster suits for Kilazee, from "Ultraman: Towards the Future" and Melba, from "Ultraman Tiga".

However, if we were to bring this design to filming life, I of course would prefer a combination of differing effects methods for a better whole. Ungainly puppets included.

Additional Links of Interest:

Extensive Gallery With Bottom Text Information

Original Theatrical Trailer

Cinemassacre's Loving Tribute to the Film
Add a Comment:
 
:iconpinkheartwolf123:
pinkheartwolf123 Featured By Owner 4 days ago
is it just me or is this shadow giant claw
Reply
:iconenshohma:
Enshohma Featured By Owner 22 hours ago
I had no choice - it was either dark purples, or the monster's true turkey colors, beyond the B&W
Reply
:iconpinkheartwolf123:
pinkheartwolf123 Featured By Owner 19 hours ago
no no no no i like shadow claw
Reply
:iconmaxvision92:
maxvision92 Featured By Owner 6 days ago  Hobbyist General Artist
"You know, Cheepnis has nothing to do with a film's budget, although it certainly helps."
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:iconbracey100:
Bracey100 Featured By Owner Aug 5, 2014  Professional Digital Artist
Now that is a BADASS Giant Claw! 
Reply
:icongary3-6-9:
Gary3-6-9 Featured By Owner Jun 5, 2014  Student General Artist
Huh... so much better than the original!
Reply
:iconenshohma:
Enshohma Featured By Owner Jun 26, 2014
Thanks a lot!
Reply
:icongary3-6-9:
Gary3-6-9 Featured By Owner Jun 27, 2014  Student General Artist
You're welcome!
Reply
:iconakagiart:
AkagiArt Featured By Owner Feb 1, 2014  Hobbyist Digital Artist
Amazingly written.

Ever notice though-- how after our snide teenage years and our cynical young adult years, as we start to approach ages like 30, all the things we used to consider unwatchable... start to lose their unwatchable edge?

As I look back at the things I loved as a child and the things I loved as a teenager, and maybe this is just me, feel free to say so if it is-- but as I look back at these things and compare, I find a rather higher success rate in quality aimed directly at my childhood preference over my teenage preference. Things I liked as a teenager seem far more embarrassing now as the things I enjoyed as a child-- if anything the stuff I enjoyed as a child had a sort of universal appeal where as teenager oriented entertainment is very streamlined and focused toward the angst filled minds of adolescents. 

But I digress, I'm just trying to throw some perspective around on a beautifully written piece, not to mention drawn so amazingly as well. 
Reply
:iconsmx117:
SMX117 Featured By Owner Dec 16, 2013
I love your drawing and colouring style!
Reply
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